Travelling
the Silk Road
Like
most things, you can blame it on the kids.
If Margaret Farrell’s toddler daughter had not wandered into her
studio and sought to transfer some of the paint from a still wet oil
painting onto her hands and dungarees, then Margaret might not have
reconsidered the medium in which she had been working. And if she had
not taken a course in silk painting in Marlay Park as a result of this
episode, then she might not have become the highly sought after silk
artist that she is today.
“I fell in love immediately with the silk,” says the Navan
Road mother of two. “I love the rich vibrancy of the colours and
the flow of the dye. And recently I have been experimenting with different
textures using gel pens, crayons and even feathers! The response has
been quite fantastic and the doors are starting to open for me now!”
Wax resist techniques for embellishing silk can be traced back to India
in the second century A.D. and to Java 200 years later where the batik
industry flourished. Margaret however takes great inspiration from the
Irish countryside for her paintings. “I have a great love of the
outdoors and I draw on this as a source for my art. I love the wild,
rugged landscapes and the changing clouds. I find I can draw inspiration
from a piece of weathered bark or pebbles on the shore or waves crashing
against the rocks.
“When I am not painting, life feels ordinary and humdrum. When
I am immersed in painting, I feel like I am lit from within like a stained
glass window in sunlight. I feel alive and vibrant. Everywhere I look
I get inspiration and see images that I want to capture.”
Originally from Phibsboro, Margaret has been living in the Navan Road
area since the age of ten and works in St. Mary’s school for Deaf
Girls, where she teaches silk painting and sound perception through
music. Although she admits to having had very little formal art education,
she says that she has been drawing ever since she could hold a pencil,
although it was only in her twenties that she started to experiment
with paints and colours.
Her first solo exhibition of silks took place in Blanchardstown Library
in 2002, although she had previously participated in Castleknock Christmas
Fair the year before. For the past four years she has mainly worked
with silk, with her work finding its way into the ESB collection and
also private collections in England, America and Australia.
Her current exhibition at Cabra Library, though, features a mix of between
35 and 40 silk paintings and watercolours. “There is a tendency
– not necessarily correct in my view – to regard silk painting
as a craft rather than art,” explains Margaret, “ and so
I have decided to learn watercolour, as I want to be recognised as a
serious artist. I feel that working in watercolours has helped my proficiency
as a silk artist, giving me more control over the dye, and also that
painting on silk has given me the confidence to experiment more with
watercolour.”
Certainly, the paintings in her last exhibition sold very well and very
quickly and those in her current exhibition are likely to do the same.
Now might well be a good time to acquire a Margaret Farrell before the
prices soar out of the range of the ordinary pocket.
“Inspirations from Nature 3” by Margaret Farrell runs at
Cabra Library until May 29th.
Admission is free during library opening hours.

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